{"id":38684,"date":"2024-09-11T08:00:18","date_gmt":"2024-09-11T06:00:18","guid":{"rendered":"https:\/\/blog.sub.uni-hamburg.de\/?p=38684"},"modified":"2024-09-18T09:28:54","modified_gmt":"2024-09-18T07:28:54","slug":"the-arts-society-art-deco-and-the-department-store-lecture-by-teassa-boase-26-9","status":"publish","type":"post","link":"https:\/\/blog.sub.uni-hamburg.de\/?p=38684","title":{"rendered":"The Arts Society: Art Deco and the Department Store: Lecture by Tessa Boase (26.9.)"},"content":{"rendered":"<p><strong>Donnerstag, 26.9., 19 Uhr, Vortragsraum.<\/strong><\/p>\n<p><a href=\"https:\/\/blog.sub.uni-hamburg.de\/wp-content\/uploads\/2024\/09\/2024-09-26-Tessa-Boase-Londons-Lost-Department-Stores.jpg\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"38686\" data-permalink=\"https:\/\/blog.sub.uni-hamburg.de\/?attachment_id=38686\" data-orig-file=\"https:\/\/blog.sub.uni-hamburg.de\/wp-content\/uploads\/2024\/09\/2024-09-26-Tessa-Boase-Londons-Lost-Department-Stores.jpg\" data-orig-size=\"1024,1024\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Tessa Boase, London&amp;#8217;s Lost Department Stores\" data-image-description=\"&lt;p&gt;Tessa Boase, London&amp;#8217;s Lost Department Stores&lt;\/p&gt;\n\" data-image-caption=\"\" data-large-file=\"https:\/\/blog.sub.uni-hamburg.de\/wp-content\/uploads\/2024\/09\/2024-09-26-Tessa-Boase-Londons-Lost-Department-Stores.jpg\" class=\"alignright size-medium wp-image-38686\" title=\"Tessa Boase, London's Lost Department Stores\" src=\"https:\/\/blog.sub.uni-hamburg.de\/wp-content\/uploads\/2024\/09\/2024-09-26-Tessa-Boase-Londons-Lost-Department-Stores-300x300.jpg\" alt=\"Tessa Boase, London's Lost Department Stores\" width=\"300\" height=\"300\" srcset=\"https:\/\/blog.sub.uni-hamburg.de\/wp-content\/uploads\/2024\/09\/2024-09-26-Tessa-Boase-Londons-Lost-Department-Stores-300x300.jpg 300w, https:\/\/blog.sub.uni-hamburg.de\/wp-content\/uploads\/2024\/09\/2024-09-26-Tessa-Boase-Londons-Lost-Department-Stores-150x150.jpg 150w, https:\/\/blog.sub.uni-hamburg.de\/wp-content\/uploads\/2024\/09\/2024-09-26-Tessa-Boase-Londons-Lost-Department-Stores-768x768.jpg 768w, https:\/\/blog.sub.uni-hamburg.de\/wp-content\/uploads\/2024\/09\/2024-09-26-Tessa-Boase-Londons-Lost-Department-Stores.jpg 1024w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a> Bold publicity stunts, statement architecture, suave dining: the 1930s was a supreme era for London\u2019s emporia. Starting on Piccadilly with Joseph Emberton\u2019s Moderne masterpiece, Simpsons, we\u2019ll explore the capital\u2019s department stores through an Art Deco lens \u2013 from the flamingos on Derry &amp; Toms\u2019 roof garden, to the soaring escalator hall of D.H. Evans, to the curved glass wall of Peter Jones. How did London\u2019s modernist stores outshine Germany\u2019s Schocken chain? Who were the personalities behind the facades? And how did they woo their customers?<\/p>\n<p>Entrance free for members of <a href=\"https:\/\/www.theartssocietyhamburg.de\/\">The Arts Society Hamburg<\/a>. Guests: 15 \u20ac, Students 5 \u20ac.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Donnerstag, 26.9., 19 Uhr, Vortragsraum. Bold publicity stunts, statement architecture, suave dining: the 1930s was a supreme era for London\u2019s emporia. Starting on Piccadilly with Joseph Emberton\u2019s Moderne masterpiece, Simpsons, we\u2019ll explore the capital\u2019s department stores through an Art Deco lens \u2013 from the flamingos on Derry &amp; Toms\u2019 roof garden, to the soaring escalator [&hellip;]<\/p>\n","protected":false},"author":19,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[9],"tags":[],"class_list":["post-38684","post","type-post","status-publish","format-standard","hentry","category-ausstellungen"],"views":1210,"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p7hfNR-a3W","jetpack-related-posts":[{"id":42729,"url":"https:\/\/blog.sub.uni-hamburg.de\/?p=42729","url_meta":{"origin":38684,"position":0},"title":"Workshop: \u201eHealth and Race in American History\u201c (11.6.)","author":"Markus Trapp","date":"01-06-26","format":false,"excerpt":"Donnerstag, 11.6. und Freitag, 12.6., jeweils ganzt\u00e4gig, Ossietzky-Forum. The workshop explores the intersections and overlaps of citizenship, race and health in the United States between the mid-nineteenth century to the early twentieth century. It will examine the importance of health and how it was negotiated and constructed in medical, cultural\u2026","rel":"","context":"In &quot;Ausstellungen und Veranstaltungen&quot;","block_context":{"text":"Ausstellungen und Veranstaltungen","link":"https:\/\/blog.sub.uni-hamburg.de\/?cat=9"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/blog.sub.uni-hamburg.de\/wp-content\/uploads\/2026\/06\/racism-C-Elvert-Barnes.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blog.sub.uni-hamburg.de\/wp-content\/uploads\/2026\/06\/racism-C-Elvert-Barnes.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/blog.sub.uni-hamburg.de\/wp-content\/uploads\/2026\/06\/racism-C-Elvert-Barnes.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":28618,"url":"https:\/\/blog.sub.uni-hamburg.de\/?p=28618","url_meta":{"origin":38684,"position":1},"title":"Miniature Adults? Images of Childhood in Western Art (18.2.)","author":"Markus Trapp","date":"30-01-20","format":false,"excerpt":"Lecture by Sophie Oosterwijk (University of St Andrews). Presented by The Arts Society Hamburg e.V. When we look at early child portraits we often see only miniature adults dressed stiffly in adult-like clothes. Yet what can portraits by artists such as Rembrandt or Vel\u00e1zquez really tell us about children in\u2026","rel":"","context":"In &quot;Ausstellungen und Veranstaltungen&quot;","block_context":{"text":"Ausstellungen und Veranstaltungen","link":"https:\/\/blog.sub.uni-hamburg.de\/?cat=9"},"img":{"alt_text":"Portrait of the eight-year-old Infanta Margarita Teresa in a Blue Dress (1659) by Diego Vel\u00e1zquez","src":"https:\/\/i0.wp.com\/blog.sub.uni-hamburg.de\/wp-content\/uploads\/2020\/01\/Arts_Society_Portrait-of-the-eight-year-old-Infanta-Margarita-Teresa-in-a-Blue-Dress-1659.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":34080,"url":"https:\/\/blog.sub.uni-hamburg.de\/?p=34080","url_meta":{"origin":38684,"position":2},"title":"Raphael Lemkin: Historical and Legal Construction of the Crime of Genocide (20.9.)","author":"Markus Trapp","date":"02-09-22","format":false,"excerpt":"Dienstag, 20.9., 19 Uhr als Online-Veranstaltung (Zoom). Der polnisch-j\u00fcdische Jurist Raphael Lemkin, der den Begriff Genozid pr\u00e4gte und f\u00fcr die UNO 1947 einen Gesetzesentwurf zur Bestrafung von V\u00f6lkermord ausarbeitete. \u00a0 In 1944, Raphael Lemkin defined the term \"genocide\" as a \"coordinated plan of numerous actions aimed at obliterating the essential\u2026","rel":"","context":"In &quot;Ausstellungen und Veranstaltungen&quot;","block_context":{"text":"Ausstellungen und Veranstaltungen","link":"https:\/\/blog.sub.uni-hamburg.de\/?cat=9"},"img":{"alt_text":"Raphael Lemkin","src":"https:\/\/i0.wp.com\/blog.sub.uni-hamburg.de\/wp-content\/uploads\/2022\/08\/lemkin_portrait.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blog.sub.uni-hamburg.de\/wp-content\/uploads\/2022\/08\/lemkin_portrait.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/blog.sub.uni-hamburg.de\/wp-content\/uploads\/2022\/08\/lemkin_portrait.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":33660,"url":"https:\/\/blog.sub.uni-hamburg.de\/?p=33660","url_meta":{"origin":38684,"position":3},"title":"Vortrag: London, New York, St Ives: The Avant Garde in Cornwall (1939-1964) (28.7.)","author":"Markus Trapp","date":"07-07-22","format":false,"excerpt":"Donnerstag, 28.7.2022, 19:15 Uhr Vortragsraum, 1. Etage Sarah Burles London, New York, St Ives: The Avant Garde in Cornwall (1939-1964) The arrival of Ben Nicholson, Barbara Hepworth and Naum Gabo in St Ives at the beginning of the Second World War marked a significant moment, both for them and for\u2026","rel":"","context":"In &quot;Ausstellungen und Veranstaltungen&quot;","block_context":{"text":"Ausstellungen und Veranstaltungen","link":"https:\/\/blog.sub.uni-hamburg.de\/?cat=9"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/blog.sub.uni-hamburg.de\/wp-content\/uploads\/2022\/07\/ben-nicholson-650.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blog.sub.uni-hamburg.de\/wp-content\/uploads\/2022\/07\/ben-nicholson-650.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/blog.sub.uni-hamburg.de\/wp-content\/uploads\/2022\/07\/ben-nicholson-650.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":41091,"url":"https:\/\/blog.sub.uni-hamburg.de\/?p=41091","url_meta":{"origin":38684,"position":4},"title":"The Arts Society: Johanna Pelikan &#8211; Delirious Avenues &#038; Odious Oases: Mina Loy\u2019s Aesthetic Itineraries (18.11.)","author":"Markus Trapp","date":"03-11-25","format":false,"excerpt":"Dienstag, 18.11., 19 Uhr, Vortragsraum. Once at the forefront of the modernist avant-garde, few have heard of Mina Loy. A daring British-American poet, painter, and entrepreneur, she moved restlessly between the movements of Futurism, Dada, and Surrealism, creating work that was as experimental as it was visionary. In this talk,\u2026","rel":"","context":"In &quot;Ausstellungen und Veranstaltungen&quot;","block_context":{"text":"Ausstellungen und Veranstaltungen","link":"https:\/\/blog.sub.uni-hamburg.de\/?cat=9"},"img":{"alt_text":"Mina Loy in 1917","src":"https:\/\/i0.wp.com\/blog.sub.uni-hamburg.de\/wp-content\/uploads\/2025\/11\/mina-loy.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":34831,"url":"https:\/\/blog.sub.uni-hamburg.de\/?p=34831","url_meta":{"origin":38684,"position":5},"title":"Vortrag: Ballet in Film and Painting: Dancing is the Language of the Soul (14.12.)","author":"Markus Trapp","date":"30-11-22","format":false,"excerpt":"Mittwoch, 14.12., 19 Uhr, Vortragsraum. In this lecture we will explore how ballet is seen as the purest expression of every emotion, earthly and spiritual. The film Red Shoes evocatively portrays the beauty, wonder and grace of ballet where there is no art without sacrifice. Other key films such as\u2026","rel":"","context":"In &quot;Ausstellungen und Veranstaltungen&quot;","block_context":{"text":"Ausstellungen und Veranstaltungen","link":"https:\/\/blog.sub.uni-hamburg.de\/?cat=9"},"img":{"alt_text":"August Macke: Russisches Ballett, 1912","src":"https:\/\/i0.wp.com\/blog.sub.uni-hamburg.de\/wp-content\/uploads\/2022\/11\/Arts-Society_August-Macke_Ballett-Russes_1912.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/blog.sub.uni-hamburg.de\/index.php?rest_route=\/wp\/v2\/posts\/38684","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.sub.uni-hamburg.de\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.sub.uni-hamburg.de\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.sub.uni-hamburg.de\/index.php?rest_route=\/wp\/v2\/users\/19"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.sub.uni-hamburg.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=38684"}],"version-history":[{"count":5,"href":"https:\/\/blog.sub.uni-hamburg.de\/index.php?rest_route=\/wp\/v2\/posts\/38684\/revisions"}],"predecessor-version":[{"id":38737,"href":"https:\/\/blog.sub.uni-hamburg.de\/index.php?rest_route=\/wp\/v2\/posts\/38684\/revisions\/38737"}],"wp:attachment":[{"href":"https:\/\/blog.sub.uni-hamburg.de\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=38684"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.sub.uni-hamburg.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=38684"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.sub.uni-hamburg.de\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=38684"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}