{"id":37813,"date":"2024-03-27T15:09:03","date_gmt":"2024-03-27T14:09:03","guid":{"rendered":"https:\/\/blog.sub.uni-hamburg.de\/?p=37813"},"modified":"2024-03-27T15:09:03","modified_gmt":"2024-03-27T14:09:03","slug":"the-arts-society-the-discovery-of-paris-stephen-duffy-16-4","status":"publish","type":"post","link":"https:\/\/blog.sub.uni-hamburg.de\/?p=37813","title":{"rendered":"The Arts Society: The Discovery of Paris &#8211; Stephen Duffy (16.4.)"},"content":{"rendered":"<p><strong>Dienstag, 16.4., 19 Uhr, Vortragsraum.<\/strong><\/p>\n<div id=\"attachment_37815\" style=\"width: 660px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/blog.sub.uni-hamburg.de\/wp-content\/uploads\/2024\/03\/Thomas-Shotter-Boys_Paris_The_Pont_Royal-gr.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-37815\" data-attachment-id=\"37815\" data-permalink=\"https:\/\/blog.sub.uni-hamburg.de\/?attachment_id=37815\" data-orig-file=\"https:\/\/blog.sub.uni-hamburg.de\/wp-content\/uploads\/2024\/03\/Thomas-Shotter-Boys_Paris_The_Pont_Royal.jpg\" data-orig-size=\"650,384\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Thomas-Shotter-Boys_Paris_The_Pont_Royal\" data-image-description=\"&lt;p&gt;Thomas Shotter Boys, Paris The Pont Royal, c.1828, Yale Center for British Art, Paul Mellon&lt;\/p&gt;\n\" data-image-caption=\"&lt;p&gt;Thomas Shotter Boys, Paris The Pont Royal, c.1828, Yale Center for British Art, Paul Mellon&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/blog.sub.uni-hamburg.de\/wp-content\/uploads\/2024\/03\/Thomas-Shotter-Boys_Paris_The_Pont_Royal-300x177.jpg\" data-large-file=\"https:\/\/blog.sub.uni-hamburg.de\/wp-content\/uploads\/2024\/03\/Thomas-Shotter-Boys_Paris_The_Pont_Royal.jpg\" src=\"https:\/\/blog.sub.uni-hamburg.de\/wp-content\/uploads\/2024\/03\/Thomas-Shotter-Boys_Paris_The_Pont_Royal.jpg\" alt=\"Thomas Shotter Boys, Paris The Pont Royal, c.1828, Yale Center for British Art, Paul Mellon\" width=\"650\" height=\"384\" class=\"size-full wp-image-37815\" srcset=\"https:\/\/blog.sub.uni-hamburg.de\/wp-content\/uploads\/2024\/03\/Thomas-Shotter-Boys_Paris_The_Pont_Royal.jpg 650w, https:\/\/blog.sub.uni-hamburg.de\/wp-content\/uploads\/2024\/03\/Thomas-Shotter-Boys_Paris_The_Pont_Royal-300x177.jpg 300w, https:\/\/blog.sub.uni-hamburg.de\/wp-content\/uploads\/2024\/03\/Thomas-Shotter-Boys_Paris_The_Pont_Royal-150x89.jpg 150w\" sizes=\"auto, (max-width: 650px) 100vw, 650px\" \/><\/a><p id=\"caption-attachment-37815\" class=\"wp-caption-text\"><\/p>\n<div style=\"font-size: 12px; line-height: 1.2; margin-bottom:0;\"> Thomas Shotter Boys, Paris The Pont Royal, c.1828, Yale Center for British Art, Paul Mellon <\/div>\n<p><\/p><\/div>\n<p>Former Senior Curator of the Wallace Collection Stephen Duffy will give us insights into how Paris was \u201ediscovered\u201c by \u2013 and through \u2013 major British artists and their early nineteenth-century watercolour views of the city.<\/p>\n<p>Entrance free for members of <a href=\"https:\/\/www.theartssocietyhamburg.de\/\">The Arts Society Hamburg<\/a>. Guests: 15 \u20ac, Students 5 \u20ac.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Dienstag, 16.4., 19 Uhr, Vortragsraum. Former Senior Curator of the Wallace Collection Stephen Duffy will give us insights into how Paris was \u201ediscovered\u201c by \u2013 and through \u2013 major British artists and their early nineteenth-century watercolour views of the city. Entrance free for members of The Arts Society Hamburg. Guests: 15 \u20ac, Students 5 \u20ac.<\/p>\n","protected":false},"author":19,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[9],"tags":[],"class_list":["post-37813","post","type-post","status-publish","format-standard","hentry","category-ausstellungen"],"views":1076,"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p7hfNR-9PT","jetpack-related-posts":[{"id":41091,"url":"https:\/\/blog.sub.uni-hamburg.de\/?p=41091","url_meta":{"origin":37813,"position":0},"title":"The Arts Society: Johanna Pelikan &#8211; Delirious Avenues &#038; Odious Oases: Mina Loy\u2019s Aesthetic Itineraries (18.11.)","author":"Markus Trapp","date":"03-11-25","format":false,"excerpt":"Dienstag, 18.11., 19 Uhr, Vortragsraum. Once at the forefront of the modernist avant-garde, few have heard of Mina Loy. A daring British-American poet, painter, and entrepreneur, she moved restlessly between the movements of Futurism, Dada, and Surrealism, creating work that was as experimental as it was visionary. In this talk,\u2026","rel":"","context":"In &quot;Ausstellungen und Veranstaltungen&quot;","block_context":{"text":"Ausstellungen und Veranstaltungen","link":"https:\/\/blog.sub.uni-hamburg.de\/?cat=9"},"img":{"alt_text":"Mina Loy in 1917","src":"https:\/\/i0.wp.com\/blog.sub.uni-hamburg.de\/wp-content\/uploads\/2025\/11\/mina-loy.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":33660,"url":"https:\/\/blog.sub.uni-hamburg.de\/?p=33660","url_meta":{"origin":37813,"position":1},"title":"Vortrag: London, New York, St Ives: The Avant Garde in Cornwall (1939-1964) (28.7.)","author":"Markus Trapp","date":"07-07-22","format":false,"excerpt":"Donnerstag, 28.7.2022, 19:15 Uhr Vortragsraum, 1. Etage Sarah Burles London, New York, St Ives: The Avant Garde in Cornwall (1939-1964) The arrival of Ben Nicholson, Barbara Hepworth and Naum Gabo in St Ives at the beginning of the Second World War marked a significant moment, both for them and for\u2026","rel":"","context":"In &quot;Ausstellungen und Veranstaltungen&quot;","block_context":{"text":"Ausstellungen und Veranstaltungen","link":"https:\/\/blog.sub.uni-hamburg.de\/?cat=9"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/blog.sub.uni-hamburg.de\/wp-content\/uploads\/2022\/07\/ben-nicholson-650.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blog.sub.uni-hamburg.de\/wp-content\/uploads\/2022\/07\/ben-nicholson-650.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/blog.sub.uni-hamburg.de\/wp-content\/uploads\/2022\/07\/ben-nicholson-650.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":36069,"url":"https:\/\/blog.sub.uni-hamburg.de\/?p=36069","url_meta":{"origin":37813,"position":2},"title":"The Miniaturisation of the Latin Bible During the 13th Century (13.6.)","author":"Markus Trapp","date":"09-06-23","format":false,"excerpt":"Tuesday, 13 June 2023, 4:00 pm \u2013 6:00 pm CEST Staats- und Universit\u00e4tsbibliothek Hamburg, Conference Room 260 (2nd floor). A Technical Challenge to Produce Portable Manuscripts Dr. Chiara Ruzzier (University of Namur\/CNRS-IRHT) The 13th century witnessed major changes in the history of the Latin Bible manuscripts. The most notable innovation\u2026","rel":"","context":"In &quot;Ausstellungen und Veranstaltungen&quot;","block_context":{"text":"Ausstellungen und Veranstaltungen","link":"https:\/\/blog.sub.uni-hamburg.de\/?cat=9"},"img":{"alt_text":"Biblia Sacra Cod. in scrin. 92","src":"https:\/\/i0.wp.com\/blog.sub.uni-hamburg.de\/wp-content\/uploads\/2023\/06\/biblia-sacra-scrin92.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":37115,"url":"https:\/\/blog.sub.uni-hamburg.de\/?p=37115","url_meta":{"origin":37813,"position":3},"title":"Vortrag: Glyndebourne, Debussy and Roses: An Operatic Trip to England  (5.12.)","author":"Markus Trapp","date":"21-11-23","format":false,"excerpt":"Dienstag, 5.12., 19 Uhr, Vortragsraum. An internationally-renowned opera dramaturge, university teacher, art historian and curator, Hamburg-based Alex Meier-D\u00f6rzenbach will give a backstage tour of one of his productions at Glyndebourne: Pell\u00e9as et M\u00e9lisande. The event is organized by The Arts Society Hamburg. Entrance free for members of The Arts Society\u2026","rel":"","context":"In &quot;Ausstellungen und Veranstaltungen&quot;","block_context":{"text":"Ausstellungen und Veranstaltungen","link":"https:\/\/blog.sub.uni-hamburg.de\/?cat=9"},"img":{"alt_text":"Glyndebourne. Foto: \u00a9Alexander Meier-D\u00f6rzenbach","src":"https:\/\/i0.wp.com\/blog.sub.uni-hamburg.de\/wp-content\/uploads\/2023\/11\/Glyndebourne.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":39259,"url":"https:\/\/blog.sub.uni-hamburg.de\/?p=39259","url_meta":{"origin":37813,"position":4},"title":"The Arts Society: Entangled Pasts, 1768 &#8211; Now: Art, Colonialism and Change (2.12.)","author":"Markus Trapp","date":"20-11-24","format":false,"excerpt":"Montag, 2.12., 19 Uhr, Vortragsraum. This lecture takes as its starting point the major exhibition \u201eEntangled Pasts, 1768-now: art, colonialism and change\u201c held at the Royal Academy of Arts, London, in 2024. Dr. Esther Chadwick will review the exhibition\u2019s contents, aims and guiding curatorial principles as well as its methodological\u2026","rel":"","context":"In &quot;Ausstellungen und Veranstaltungen&quot;","block_context":{"text":"Ausstellungen und Veranstaltungen","link":"https:\/\/blog.sub.uni-hamburg.de\/?cat=9"},"img":{"alt_text":"\u2018Installation view of Entangled Pasts, 1768-Now: Art, Colonialism and Change, Royal Academy, 2024. Photo: Marcus J. Leith.\u2019","src":"https:\/\/i0.wp.com\/blog.sub.uni-hamburg.de\/wp-content\/uploads\/2024\/11\/Installation_view_of_Entangled_Pasts.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blog.sub.uni-hamburg.de\/wp-content\/uploads\/2024\/11\/Installation_view_of_Entangled_Pasts.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/blog.sub.uni-hamburg.de\/wp-content\/uploads\/2024\/11\/Installation_view_of_Entangled_Pasts.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":38684,"url":"https:\/\/blog.sub.uni-hamburg.de\/?p=38684","url_meta":{"origin":37813,"position":5},"title":"The Arts Society: Art Deco and the Department Store: Lecture by Tessa Boase (26.9.)","author":"Markus Trapp","date":"11-09-24","format":false,"excerpt":"Donnerstag, 26.9., 19 Uhr, Vortragsraum. Bold publicity stunts, statement architecture, suave dining: the 1930s was a supreme era for London\u2019s emporia. Starting on Piccadilly with Joseph Emberton\u2019s Moderne masterpiece, Simpsons, we\u2019ll explore the capital\u2019s department stores through an Art Deco lens \u2013 from the flamingos on Derry & Toms\u2019 roof\u2026","rel":"","context":"In &quot;Ausstellungen und Veranstaltungen&quot;","block_context":{"text":"Ausstellungen und Veranstaltungen","link":"https:\/\/blog.sub.uni-hamburg.de\/?cat=9"},"img":{"alt_text":"Tessa Boase, London's Lost Department Stores","src":"https:\/\/i0.wp.com\/blog.sub.uni-hamburg.de\/wp-content\/uploads\/2024\/09\/2024-09-26-Tessa-Boase-Londons-Lost-Department-Stores-300x300.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/blog.sub.uni-hamburg.de\/index.php?rest_route=\/wp\/v2\/posts\/37813","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.sub.uni-hamburg.de\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.sub.uni-hamburg.de\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.sub.uni-hamburg.de\/index.php?rest_route=\/wp\/v2\/users\/19"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.sub.uni-hamburg.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=37813"}],"version-history":[{"count":2,"href":"https:\/\/blog.sub.uni-hamburg.de\/index.php?rest_route=\/wp\/v2\/posts\/37813\/revisions"}],"predecessor-version":[{"id":37817,"href":"https:\/\/blog.sub.uni-hamburg.de\/index.php?rest_route=\/wp\/v2\/posts\/37813\/revisions\/37817"}],"wp:attachment":[{"href":"https:\/\/blog.sub.uni-hamburg.de\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=37813"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.sub.uni-hamburg.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=37813"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.sub.uni-hamburg.de\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=37813"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}