{"id":33660,"date":"2022-07-07T11:43:15","date_gmt":"2022-07-07T09:43:15","guid":{"rendered":"https:\/\/blog.sub.uni-hamburg.de\/?p=33660"},"modified":"2022-07-29T07:26:27","modified_gmt":"2022-07-29T05:26:27","slug":"vortrag-london-new-york-st-ives-the-avant-garde-in-cornwall-1939-1964-28-7","status":"publish","type":"post","link":"https:\/\/blog.sub.uni-hamburg.de\/?p=33660","title":{"rendered":"Vortrag: London, New York, St Ives: The Avant Garde in Cornwall (1939-1964) (28.7.)"},"content":{"rendered":"<p><strong>Donnerstag, 28.7.2022, 19:15 Uhr Vortragsraum, 1. Etage<\/strong><\/p>\n<p><strong>Sarah Burles<br \/>\nLondon, New York, St Ives: The Avant Garde in Cornwall (1939-1964)<\/strong><\/p>\n<div id=\"attachment_33691\" style=\"width: 660px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/blog.sub.uni-hamburg.de\/wp-content\/uploads\/2022\/07\/ben-nicholson.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-33691\" data-attachment-id=\"33691\" data-permalink=\"https:\/\/blog.sub.uni-hamburg.de\/?attachment_id=33691\" data-orig-file=\"https:\/\/blog.sub.uni-hamburg.de\/wp-content\/uploads\/2022\/07\/ben-nicholson-650.jpg\" data-orig-size=\"650,530\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;(c) Angela Verren Taunt 2016. All rights reserved, DACS \/ Photo (c) Tate&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"ben-nicholson-650\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Ben Nicholson (1894-1982),  St Ives 1943-45, Tate &lt;\/p&gt;\n\" data-large-file=\"https:\/\/blog.sub.uni-hamburg.de\/wp-content\/uploads\/2022\/07\/ben-nicholson-650.jpg\" src=\"https:\/\/blog.sub.uni-hamburg.de\/wp-content\/uploads\/2022\/07\/ben-nicholson-650.jpg\" alt=\"\" width=\"650\" height=\"530\" class=\"size-full wp-image-33691\" srcset=\"https:\/\/blog.sub.uni-hamburg.de\/wp-content\/uploads\/2022\/07\/ben-nicholson-650.jpg 650w, https:\/\/blog.sub.uni-hamburg.de\/wp-content\/uploads\/2022\/07\/ben-nicholson-650-300x245.jpg 300w, https:\/\/blog.sub.uni-hamburg.de\/wp-content\/uploads\/2022\/07\/ben-nicholson-650-150x122.jpg 150w\" sizes=\"auto, (max-width: 650px) 100vw, 650px\" \/><\/a><p id=\"caption-attachment-33691\" class=\"wp-caption-text\"><\/p>\n<div style=\"font-size: 12px; line-height: 1.2; margin-bottom:0;\">Ben Nicholson (1894-1982),  St Ives 1943-45, Tate<\/div>\n<p><\/p><\/div>\n<p>The arrival of Ben Nicholson, Barbara Hepworth and Naum Gabo in St Ives at the beginning of the Second World War marked a significant moment, both for them and for the artists already living and working in the small Cornish town. These three artists were key players in British modernism and soon challenged the status quo of the existing artists\u2019 colony, established at the end of the 19th century. They inspired and, in Hepworth\u2019s case employed, a younger generation of artists before they too were challenged by new ideas. This lecture will chart the rise of St Ives as a centre for modern art after the war and show that it was not only Nicholson, Hepworth and Gabo who achieved international success but other artists such as Peter Lanyon, Roger Hilton, Terry Frost and Wilhemena Barns Graham. This success led to the town becoming a focal point for post-war avant garde art which led the eyes of the modern art world to focus, for a brief period, on St Ives. <\/p>\n<p><!--more--><\/p>\n<p><strong>Lecture begins at 19:15. Guests are welcome and are free but must register in advance. Contact: <a href=\"mailto:hamburg@theartssociety.org\">hamburg@theartssociety.org<\/a> in order to register.<\/strong><\/p>\n<p>Die <em>Arts Society Hamburg<\/em> bietet ein j\u00e4hrliches Programm mit Vortr\u00e4gen in englischer Sprache an, die haupts\u00e4chlich von Dozenten aus Gro\u00dfbritannien gehalten werden. Ausf\u00fchrliche Informationen unter <a href=\"https:\/\/www.theartssocietyhamburg.de\">www.theartssocietyhamburg.de<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Donnerstag, 28.7.2022, 19:15 Uhr Vortragsraum, 1. Etage Sarah Burles London, New York, St Ives: The Avant Garde in Cornwall (1939-1964) The arrival of Ben Nicholson, Barbara Hepworth and Naum Gabo in St Ives at the beginning of the Second World War marked a significant moment, both for them and for the artists already living and [&hellip;]<\/p>\n","protected":false},"author":19,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[9],"tags":[],"class_list":["post-33660","post","type-post","status-publish","format-standard","hentry","category-ausstellungen"],"views":1585,"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p7hfNR-8KU","jetpack-related-posts":[{"id":41091,"url":"https:\/\/blog.sub.uni-hamburg.de\/?p=41091","url_meta":{"origin":33660,"position":0},"title":"The Arts Society: Johanna Pelikan &#8211; Delirious Avenues &#038; Odious Oases: Mina Loy\u2019s Aesthetic Itineraries (18.11.)","author":"Markus Trapp","date":"03-11-25","format":false,"excerpt":"Dienstag, 18.11., 19 Uhr, Vortragsraum. Once at the forefront of the modernist avant-garde, few have heard of Mina Loy. A daring British-American poet, painter, and entrepreneur, she moved restlessly between the movements of Futurism, Dada, and Surrealism, creating work that was as experimental as it was visionary. In this talk,\u2026","rel":"","context":"In &quot;Ausstellungen und Veranstaltungen&quot;","block_context":{"text":"Ausstellungen und Veranstaltungen","link":"https:\/\/blog.sub.uni-hamburg.de\/?cat=9"},"img":{"alt_text":"Mina Loy in 1917","src":"https:\/\/i0.wp.com\/blog.sub.uni-hamburg.de\/wp-content\/uploads\/2025\/11\/mina-loy.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":34831,"url":"https:\/\/blog.sub.uni-hamburg.de\/?p=34831","url_meta":{"origin":33660,"position":1},"title":"Vortrag: Ballet in Film and Painting: Dancing is the Language of the Soul (14.12.)","author":"Markus Trapp","date":"30-11-22","format":false,"excerpt":"Mittwoch, 14.12., 19 Uhr, Vortragsraum. In this lecture we will explore how ballet is seen as the purest expression of every emotion, earthly and spiritual. The film Red Shoes evocatively portrays the beauty, wonder and grace of ballet where there is no art without sacrifice. Other key films such as\u2026","rel":"","context":"In &quot;Ausstellungen und Veranstaltungen&quot;","block_context":{"text":"Ausstellungen und Veranstaltungen","link":"https:\/\/blog.sub.uni-hamburg.de\/?cat=9"},"img":{"alt_text":"August Macke: Russisches Ballett, 1912","src":"https:\/\/i0.wp.com\/blog.sub.uni-hamburg.de\/wp-content\/uploads\/2022\/11\/Arts-Society_August-Macke_Ballett-Russes_1912.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":36147,"url":"https:\/\/blog.sub.uni-hamburg.de\/?p=36147","url_meta":{"origin":33660,"position":2},"title":"Vortrag: Kettle&#8217;s Yard in Cambridge: A Masterpiece of Curatorship (6.7.)","author":"Markus Trapp","date":"22-06-23","format":false,"excerpt":"Donnerstag, 6.7., 19.30 Uhr, Vortragsraum. Kettle's Yard in Cambridge has been described as \"one of the country's most intimate and spellbinding museums,\" the collection of one man and his unerring eye; restorative, homely yet life-changing. This man was H.S. 'Jim' Ede, curator, writer, collector and friend to artists. In 1957,\u2026","rel":"","context":"In &quot;Ausstellungen und Veranstaltungen&quot;","block_context":{"text":"Ausstellungen und Veranstaltungen","link":"https:\/\/blog.sub.uni-hamburg.de\/?cat=9"},"img":{"alt_text":"Sitting Room, Kettle's Yard. \u00a9 University of Cambridge","src":"https:\/\/i0.wp.com\/blog.sub.uni-hamburg.de\/wp-content\/uploads\/2023\/06\/university-of-cambridge.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":38258,"url":"https:\/\/blog.sub.uni-hamburg.de\/?p=38258","url_meta":{"origin":33660,"position":3},"title":"The Arts Society: Let&#8217;s Hear it for the Girls! Leading Contemporary Female Artists from Britain who should be Household Names (24.6.)","author":"Markus Trapp","date":"10-06-24","format":false,"excerpt":"Montag, 24.6., 19.30 Uhr, Vortragsraum. 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Images of Childhood in Western Art (18.2.)","author":"Markus Trapp","date":"30-01-20","format":false,"excerpt":"Lecture by Sophie Oosterwijk (University of St Andrews). Presented by The Arts Society Hamburg e.V. When we look at early child portraits we often see only miniature adults dressed stiffly in adult-like clothes. 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Das einzige erhaltene Bild von Gustav Gabriel Cohn (1863\u2013 1942), Quelle: Privatbesitz \u00a0 Am 22. Januar konnte die Stabi\u00a0in Kooperation mit dem Institut f\u00fcr die Geschichte der deutschen Juden 10 B\u00fccher im Rahmen einer Restitution auf den Weg nach Israel bringen. Die Werke, allesamt\u2026","rel":"","context":"In &quot;Aktuelles&quot;","block_context":{"text":"Aktuelles","link":"https:\/\/blog.sub.uni-hamburg.de\/?cat=1"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/blog.sub.uni-hamburg.de\/wp-content\/uploads\/2018\/01\/Portrait_GG_Cohn-kl.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/blog.sub.uni-hamburg.de\/index.php?rest_route=\/wp\/v2\/posts\/33660","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.sub.uni-hamburg.de\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.sub.uni-hamburg.de\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.sub.uni-hamburg.de\/index.php?rest_route=\/wp\/v2\/users\/19"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.sub.uni-hamburg.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=33660"}],"version-history":[{"count":4,"href":"https:\/\/blog.sub.uni-hamburg.de\/index.php?rest_route=\/wp\/v2\/posts\/33660\/revisions"}],"predecessor-version":[{"id":33701,"href":"https:\/\/blog.sub.uni-hamburg.de\/index.php?rest_route=\/wp\/v2\/posts\/33660\/revisions\/33701"}],"wp:attachment":[{"href":"https:\/\/blog.sub.uni-hamburg.de\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=33660"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.sub.uni-hamburg.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=33660"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.sub.uni-hamburg.de\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=33660"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}